The Beautiful and Damned


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Scott Fitzgerald's second novel, tells the story of Anthony Patch, a s socialite and presumptive heir to a tycoon's fortune. Anthony and his wife Gloria are young and gorgeous, rich and leisured, and dedicate their lives to the reckless pursuit of happiness.

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But this intimate story turns tragic, as their marriage disintegrates under the weight of their expectations, dissipation, jealousy and aimlessness. Fitzgerald skilfully portrays the east-coast elite as the Jazz Age begins its ascent, engulfing all classes into what will soon be known as Cafe Society. They try to obey Nietzsche's injunction to live dangerously, but succeed only in living disastrously. It is a novel not of disillusion but of decay. What happens to the kind of people that Anthony and Gloria are has happened to the same kind of people over and over again, and in a lesser degree to millions of more ordinary people, ever since man began to stand up on his hind legs.

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In our foolish optimism, our pride and certainty in progress, we like to forget that disintegration is a competing and often victorious force. And so, when we see signs of something uncommonly like it in the young generation, we think it has never happened before. What counts in the of The Beautiful and Damned has happened before millions of times, and has been written about, too.

The setting changes, of course, but since Mr. Fitzgerald has described our modern setting with its prohibition parties and promiscuous kissing in such generous detail, we are apt to think that, because the scenery is startling, the play is a new one. Let's leave the scenery and look at the characters. Fitzgerald starts to build up Anthony Patch with pages which, while blazing with clever irony, do not give us a picture of him in three dimensions.

The Beautiful and Damned

Later we find him using that mixture of standing aside and telling us what he says and does and acting as his intimate psychological confidant, which often betrays the autobiographer. Within rather large limits Anthony is clear, but clear as a type rather than a person.


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The most telling accounts of him, while real, could also seem real of other persons quite different from him in other ways. Gloria, admirably sharp at first, deliquesces and loses her personality as Mr. Fitzgerald grows intimate with her, until toward the end we find her speaking very little like her earlier self, and far too much like him.

https://ufn-web.com/wp-includes/66/descargar-mobile-spy-gratis-full.php She too, broadens into a person with too many characteristics which other characters could share with her and still he different. The treatment of the two of them leaves the curious impression that Mr. Fitzgerald was at first inside Anthony's soul and watched Gloria from without, and gradually exchanged these positions.

His treatment of the minor characters is much sharper and much more limited. Are our girls really like that?


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    The Beautiful and Damned is a morality tale , a meditation on love, money and decadence, and a social documentary. It concerns the characters' disproportionate appreciation of and focus on their past, which tends to consume them in the present. According to Fitzgerald critic James West, The Beautiful and Damned is concerned with the question of 'vocation'—what does one do with oneself when one has nothing to do? Fitzgerald presents Gloria as a woman whose vocation is nothing more than to catch a husband. After her marriage to Anthony, Gloria's sole vocation is to slide into indolence; her husband's sole vocation is to wait for his inheritance, during which time he slides into alcoholism.

    Fitzgerald wrote The Beautiful and Damned quickly in the winter and spring of —22 while Zelda was pregnant with their daughter, [2] following editorial suggestions from his friend Edmund Wilson and his editor Max Perkins. Following his best-selling This Side of Paradise , Scribner's prepared an initial print run of 20, copies, and mounted an advertising campaign. It sold well enough to warrant additional print runs reaching 50, copies. Fitzgerald dedicated the novel to the Irish writer Shane Leslie , George Jean Nathan, and Maxwell Perkins "in appreciation of much literary help and encouragement".

    The first book tells the story of the first meeting and courtship of a beautiful and spoiled couple, Anthony and Gloria, madly in love, with Gloria ecstatically exclaiming: "mother says that two souls are sometimes created together—and in love before they're born. Book two covers the first three years of their married life together, with Anthony and Gloria vowing to adhere to. Not to be sorry, not to lose one cry of regret, to live according to a clear code of honor toward each other, and to seek the moment's happiness as fervently and persistently as possible.

    The final book recounts Anthony's disinheritance, just as the U. At the end, Anthony Patch shows some of the same revisionism as his grandfather in the opening chapter, describing his great wealth as a necessary consequence of his character rather than to circumstance. Fitzgerald writing in the closing lines of the novel:. But he had known that he was justified in his way of life—and he had stuck it out staunchly

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